Posts Tagged ‘Eunangdong shopping’

When I first started this blog last summer I envisioned posting new photographs regularly.  I thought it might challenge me to produce better photographs, while also giving me the chance to talk about certain images that I really like.  Since I have yet to do this and am also busy with a writing project I shelved two years ago, I thought I may as well begin now.  Here’s to hoping for a shorter blog post….

Contrary to the pleasure with which I photograph natural landscapes, I find urban settings especially difficult to capture.   It is often hard to recreate the mood of the place.  Since I can’t expect the city to pose for me, the lines and the postures are never mine to control.  The city always explodes past my frame and, unless I’m in the right ‘frame’ of mind, I find this frustrating and daunting.  So without happening upon a particularly arresting pattern of lines or a striking outline of architecture, I tend not to take the camera from its bag.

Of course, this means, too, that I’m reluctant to photograph human subjects within these urban landscapes.  I find myself reluctant to sleuth with the camera, to steal away shots, to fire multiple frames per second into the faces of the unprepared.   But, I know that if I’m going to push my photography, I need to embrace the act of photographing people, preferably alive and moving, within the places where they live (ie. the city).

In Korea, people are most abundantly available for photographing in the shopping districts, which are truly sights to behold.  Thousands of people spill through brickwork streets, pouring in and out of boutiques and brand name stores, purchases in tow.  Scooters rev their way through the flood tide and food stalls part the sea down the middle.  These open-air stalls serve up roasted corn, foil-wrapped sweet potatoes, pork skewers, deep fried peppers, and the ubiquitous tteok bokki, a rice cake/processed-fish concoction served up in a spicy-sweet red sauce.

I’ve walked through an untold number of districts like this and have never managed to capture the scene to my liking.  There were either too many disembodied human parts pressed into a frame that told no narrative, or wide stretches of unpeopled pavement, giving the illusion of a deadened shopping district– something it decidedly was not (if there is a global recession, it’s not recognizable here).


Passerby, Eunangdong

Frustrated by my lack of success, I resolved one evening to focus on a single food stall in our downtown market.  I walked circles around the tented booth and snapped shots from different angles.  The electric lighting seemed perfect against the slightly dimmer streetlights and the rising steam lent a warmth to an otherwise cold photograph of an even colder day.   I finally happened upon an angle that seemed to work especially well; I took a number of wide-angle shots from behind the stall, as shoppers lined up for warm food.  I then waited for the street-cook to serve up a dish of the aforementioned tteok bokki, hoping to capture the hand-off across the grill.  Just as she did so, and just as I pressed the shutter, a boy walked across my frame.

Since this had already happened numerous times, and since the ritual passing of the tteok bokki, which I was waiting for expectantly, had occurred squarely behind his head, I silently cursed at the boy and walked away from the food stall in frustration.

Only later, with the photographs uploaded to my computer, did I realize that this photograph was far more interesting than any of the other shots I had taken.  Despite blocking the food exchange I so desperately wanted to capture, the boy’s pixelated movement covers up an otherwise boring foreground; this also serves to direct the viewer’s eyes to the lighted warmth of the couple, huddled by their own plate of tteok bokki.  The proximity of the boy’s passing body to the camera lens, plus the steamed faces of two female shoppers in the upper right corner fills the frame with a sense of crowdedness, of a street scene spilling beyond the arbitrary cropping of my camera.  The result is (finally) something akin to the feel of the shopping district.

Which brings me to the lesson learned:  if I’m going to push my photography in urban spaces, I need to embrace the dynamism of the place, which means not only accepting unpredictable movements but utilizing them as best I can.

So about that shorter blog post….


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